In this fresh reprint of all 1960s issues, the magazine documents the daring, practical, and beautiful projects of a decade of futuristic thrill and booming pop culture. Synthetics and plastics hit the stage, leading to radical new design, while conventional notions of elegance give way to fresh exploratory forms.
For work to be featured in the magazine it had to offer function, spatial clarity, intellectual persuasion, relevant originality, and/or grace. Those projects and practitioners that made the grade include the Anti and Radical Design movements, Ray and Charles Eames, Gae Aulenti, Kenzo Tange, Verner Panton, Achille and Pier Giacomo Castiglioni, Ettore Sottsass, Carlo Scarpa, Angelo Mangiarotti, Cesare Maria Casati, and Eero Saarinen.
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For work to be featured in the magazine it had to offer function, spatial clarity, intellectual persuasion, relevant originality, and/or grace. Those projects and practitioners that made the grade include the Anti and Radical Design movements, Ray and Charles Eames, Gae Aulenti, Kenzo Tange, Verner Panton, Achille and Pier Giacomo Castiglioni, Ettore Sottsass, Carlo Scarpa, Angelo Mangiarotti, Cesare Maria Casati, and Eero Saarinen.
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The editor
Charlotte°ú Peter FiellÀº Ÿ¼Ï¿¡¼ ¡º1000 Chairs¡», ¡ºDesign of the 20th Century¡», ¡ºIndustrial Design A-Z¡», ¡ºScandinavian Design¡», ¡ºDesigning the 21st Century¡», ¡ºGraphic Design for the 21st Century¡», ¡º1000 Lights and Contemporary Graphic Design¡»À» ºñ·ÔÇÑ ¹æ´ëÇÑ ¾çÀÇ Ã¥µéÀ» ÁýÇÊÇß´Ù. ±×µéÀº ¶ÇÇÑ ¡ºTASCHEN's Decorative Art series¡»¿Í ¡ºthe 12-volume domus 1928–1999¡»¸¦ ÆíÁýÇß´Ù.
Charlotte°ú Peter FiellÀº Ÿ¼Ï¿¡¼ ¡º1000 Chairs¡», ¡ºDesign of the 20th Century¡», ¡ºIndustrial Design A-Z¡», ¡ºScandinavian Design¡», ¡ºDesigning the 21st Century¡», ¡ºGraphic Design for the 21st Century¡», ¡º1000 Lights and Contemporary Graphic Design¡»À» ºñ·ÔÇÑ ¹æ´ëÇÑ ¾çÀÇ Ã¥µéÀ» ÁýÇÊÇß´Ù. ±×µéÀº ¶ÇÇÑ ¡ºTASCHEN's Decorative Art series¡»¿Í ¡ºthe 12-volume domus 1928–1999¡»¸¦ ÆíÁýÇß´Ù.